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, was released from Belle Books and became a Kindle bestseller.
She earned her MA in English Literature from Butler University, with the thesis The Family Vault: Women Buried Alive in Poe’s Short Fiction.
They may wonder if naming emotions indicates telling…and what about those pesky phrases like he knew…or he felt…or he heard? If you recognize yourself in the above description and you are ready to end the struggle and truly understand the difference between showing and telling once and for all, and you’re ready for some tips on how to actually put the advice to show rather than tell into practice, then this workshop is for you.
In this workshop former Black Velvet Seductions Editor in Chief Laurie Sanders will cover the difference between showing and telling in a new, crystal clear way that will leave you in no doubt of the difference between the two.
Nora uses what I call a signaled point of view shift, which if carried out carefully, and not too often can help increase the tension and conflict within a manuscript.
They may begin to wonder if all description isn’t a roundabout way of telling.In this free, 5 day, workshop I will address the legal ways to shift point of view within manuscripts.We’ll cover shifting point of view at chapters and scene breaks and the more controversial changes of point of view which happen within scenes.And you’ll get the expert advice of Alicia on how to edit in the energy into your prose.Here’s your chance to figure out what is dead and drowsy in your voice, and how to wake it up!
Kim is Managing Editor for Sick Lit Magazine and an Assistant Editor for Firefly Magazine. She’s published in several online literary journals and print magazines, as well as featured in The 52 Men Podcast. The problem arises for many authors when they try to put that advice into practice.